Birdsong

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Eventually, Stephen is badly injured during a trip into No Man’s Land. Surviving but despondent, Stephen decides to write to Isabelle. His letter is deeply personal, expresses his fears of death, and the fact that Isabelle is his first and only love. Elizabeth did some calculations on a piece of paper, Grand-mere born 1878. Mum born…she was not sure exactly how old her mother was. Between sixty-five and seventy. Me born 1940. Something did not quite add up in her calculations, though it was possibly her arithmetic that was to blame.”

In the story, a young Cree girl named Katherena is sad because she and her mother are leaving their home in a city by the sea for a new home in the country. Her sadness is short-lived as she starts to spend time with her elderly neighbor, Agnes. Katherena and Agnes do many things together. Agnes shows Katherena her pottery and teaches her about the moon phases and Katherena teaches Agnes about the Cree language. The time they spend together inspires Katherena to draw. As time goes on, Agnes grows weaker and is unable to leave her bed. Katherena decides to hang her pictures all around Agnes' room for her to admire. Agnes is moved my the action saying, "It is like a poem for her heart." I don't think Stephen's youthful love affair nor his granddaughter's story were nearly as convincing . Still, this is a moving, heart wrenching book and I definitely recommend it. In 2012 it was adapted as a two-part television drama for the BBC. [20] The production starred Eddie Redmayne as Stephen Wraysford and Clémence Poésy as Isabelle Azaire, and was directed by Philip Martin, based on a screenplay by Abi Morgan. The historian Edward Madigan favourably compared the television adaptation to Steven Spielberg's War Horse as a successful evocation of the experience of the World War I trenches. [20] René Azaire – Factory owner in Amiens. He states that Stephen will go to Hell for his affair with his wife Isabelle. Embarrassed by his inability to have a child with his wife he beats Isabelle.Françoise – Elizabeth's mother, the biological daughter of Stephen and Isabelle who was raised by her father and aunt Jeanne. Halfway through the story we jump to 1978, where Elizabeth Benson has taken a sudden interest in her grandfather, Stephen Wraysford and the fate of the men who died in or limped home from the trenches of World War I. Here the narrative stumbles a bit. Elizabeth, now in her late 30s, seems entirely unaware of the horrors of The Great War. This rang utterly false. "No one told me," she says upon seeing the battlefields and monuments of the Somme. I think a British citizen of her generation would have been well aware of the magnitude of that war. But Faulks gives Elizabeth a strong voice and her own personal dilemmas that bring the existential quest for meaning and truth full circle. We don't stay in late 70s London for long, but we dip in and out until the novel's end as Elizabeth's story becomes woven into her grandfather's. Bob – Irene's husband. He offers to translate the code used in Stephen Wraysford's war diaries for Elizabeth. However, the crowning achievement of Birdsong is its unflinching depiction of war. The earsplitting cacophony of the artillery, the claustrophobia of the tunnels, the never-ending mud, the smell of sweat and shit, the horror of seeing a head explode in front of your eyes. The heartbreaking letters sent home from the Somme, its writers knowing that they were almost certainly going to die in the coming hours. The bodies in pieces, pale and rotting in no man's land. The senseless brutality of it all, summed up by a roll call after the battle, ringing with unanswered names: "Names came pattering into the dusk, bodying out the places of their forebears, the villages and towns where the telegrams would be delivered, the houses where the blinds would be drawn, where low moans would come in the afternoon behind closed doors; and the places that had borne them, which would be like nunneries, like dead towns without their life or purpose, without young men at the factories or in the fields, with no husbands for the women, no deep sound of voices in the inns, with the children who would have been born, who would have grown and worked or painted, even governed, left ungenerated in their fathers' shattered flesh that lay in stinking shellholes in the beet crop soil, leaving their homes to put up only granite slabs in place of living flesh, on whose inhuman surface the moss and lichen would cast their crawling green indifference."

At a certain point, I was just as fed up with the war as the soldiers in the story. Elizabeth’s episodes were cleverly inserted by the author to provide me for the breaks like Stephen had during the war. Leaning, Jennifer (2002). "Review of La Tendresse". British Medical Journal. 325 (7369): 908. doi: 10.1136/bmj.325.7369.908. JSTOR 25452659. S2CID 71468801. Because Faulks felt that much of the extant World War I literature was deeply influenced by World War II literature, he deliberately avoided research with secondary documents, such as historical monographs, instead focusing on veteran interviews and period primary sources. [ citation needed] The novel tells two stories separated by time, but featuring characters connected through family. The novel’s main story is about Stephen Wraysford, focusing on his experiences during World War I. A secondary story features Elizabeth Benson, Stephen’s granddaughter, who discovers her grandfather’s journals and begins to learn about his life through them. But there is humor and passionate love too. Their is death and there is birth. There is hope and despair. The story takes place during WW1 in the trenches in France. It also has events set later, in the 70s. Most authors cannot switch between different time periods. In this book the two are wonderfully intertwined.The second section rejoins Stephen, when he is a lieutenant in the British Army at the start of the war. Through his eyes, Faulks tells the reader about the first day on the Somme in July 1916 and the Battle of Messines near Ypres in the following year.